Sitemap

Adrien Feix, Director of the Austrian Cultural Forum

Broad & Open Dialogue

“The most effective way to accompany Serbia on its way to the EU is through the cultural exchange at eye level – no amount of financial support can replace that,” says Austrian Cultural Forum Director Adrien Feix

The new director of the Austrian Cultural Forum in Belgrade, Adrien Feix, kindly responded to our request that he conveys his first impressions of Belgrade to CorD readers, but also announce projects that will help to further advance the already successful cultural cooperation between Austria and Serbia.

The Austrian Cultural Forum in Belgrade opened under the auspices of the Austrian Embassy in 2001, tasked with promoting the culture of its country through contemporary and innovative projects with lasting significance. It has maintained a prominent presence throughout Serbia since then. Here we will mention as examples only that this July, thanks to the Austrian Cultural Forum, residents of Niš enjoyed screenings of Austria’s best short films, while Pančevo recently received a new mural that was painted by Austrian artist Manuel Skirl.

Is this your first encounter with Belgrade and Serbia? What are your expectations of the region in which you’ll spend the next few years?

– This is indeed my first encounter with a country I had previously only read about and worked on based in Vienna. My expectations were already high – unique history and culture, welcoming and open people, excellent cuisine – but since the first few days, I felt that they would be surpassed. What also impressed me is the cultural diversity within the country, which I am looking forward to discovering during my travels. Of course, there is also one major difficulty, which consists of mastering the language – at least to the point of being able to work with it.

The website of the Austrian Embassy states that the emphasis of the work of the Austrian Cultural Forum is on contemporary and innovative projects, as opposed to the works of authors who are trademarks of Austrian culture: Mozart, Strauss, Schubert, Mahler, Klimt, Kokoschka, Schiele, Rilke, Handke, Jelinek etc. Why is that?

– The main idea behind this is to increase the visibility of aspects of Austrian culture that are not already well-known and commercially sustainable in Serbia. This is not to say that Mozart or Schiele is outdated or irrelevant, but they no longer need our support, whereas this support can make a difference for young Austrian musicians, visual artists, filmmakers or poets. An additional benefit of focusing on culture in the making is that it leads to an exchange between the respective art scenes, which has more of a long-term effect than simply displaying old masterpieces.

What would you personally like to recommend to our public from contemporary productions of Austrian culture?

– First and foremost, follow our social media presence, where we showcase a wide array of contemporary aspects of Austrian culture. Regarding the film, it is worthwhile to follow the programmes of the two Austrian main film festivals (Viennale and Diagonale). Regarding music, people should listen to the selection of promising musicians in the “New Austrian Sound of Music” programme. In terms of visual arts, the “curated by” gallery festival in Vienna is one of the many interesting events to follow, also at a distance.

Adrien Feix, Austrian Cultural Forum

And, on a really personal note, I very much enjoy the current electronic and instrumental hip-hop scene in Austria and would also recommend researching Austrian contemporary and sustainable architecture, which is for example very innovative in the western province of Vorarlberg. 

Serbia allocates the lowest percentage of its national budget to culture in the region, while at the same time we have the impression that people from these parts have a very high awareness of the importance and significance of culture. How would you comment on this imbalance?

– I am neither entitled nor sufficiently qualified to judge budgetary priorities in Serbia, but, generally speaking, money spent on education, culture and science is not only intrinsically valuable but nearly always also a worthwhile investment, because it paves the way for innovation, investment and tourism. This is especially true for Serbia, where there is already high awareness of the importance of both the rich cultural heritage and vibrant contemporary scene.

Cultural contact between the two countries is also dependent on their political contacts. How do you overcome this kind of obstacle?

– It is absolutely true that the Austrian Cultural Forum builds upon a broad network of contacts in arts, cultural management, science, business – political ones are no exception, and the current excellent political relationship between Austrian and Serbia is certainly helpful. But I would frame the relationship somewhat differently: it is the cultural exchange that is crucial to a good political relationship. Culture and science lay the foundation for everything else, not politics.

Here in Serbia, the Austrian Cultural Forum isn’t only present in Belgrade, but rather also in other cities – this summer, for instance, a series of Austrian short films were screened in Niš, while a mural of artist Skirl adorned a wall in the city of Pančevo – demonstrating unambiguously the view that culture isn’t an elite category. Could you comment on this?

– It is quite natural that culture tends to develop more rapidly and vigorously in certain areas, mostly in large cities. However, it seems to me that excessive centralisation and the subsequent formation of closed artistic bubbles in capital cities is problematic because it severs the connection between a large majority of the population and art.

Generally speaking, money spent on education, culture and science is not only intrinsically valuable, but nearly always also a worthwhile investment, because it paves the way for innovation, investment and tourism

At our level, we try to counter this tendency and also bring Austrian contemporary productions to places where they would not usually be shown. Skirl is a great example, because he actively tries to engage a public beyond the usual street art scene and has developed a universal graphic language, which works in Pančevo in the same way as it does in Prague or Vienna, and can appeal to all social and ethnic groups.

Serbia and Austria are countries with contrasting geopolitical and historical realities, but do they still share something in terms of their cultures?

– The cultural and scientific exchange between Serbia and Austria dates back to at least the 18th century and is so extensive that I don’t even want to attempt a summary here. It is remarkable that the relationship was based on interactions between artists and intellectuals (e.g. Vuk Karadžić, Jovan Cvijić, Paja Jovanović, Milutin Milanković, Bogdan Bogdanović and Milo Dor), which explains why it proved so resilient.

Perpetuating the tradition of grassroots exchange, many Serbian students, intellectuals, artists and scientists currently study and work in Austria, often moving back and forth between both countries, further strengthening our ties and continuing to enrich both of our cultural legacies. Since Serbia has become a full member of Erasmus+, I expect the exchange in both directions to intensify over the coming years.

Despite having only just taken on your new post, could you tell us about any upcoming programmes of the Austrian Cultural Forum for the season ahead?

– Firstly, I will focus on consolidating the excellent programmatic work of my predecessors and build upon the experience of my team, especially in the areas of visual arts, music and film. Secondly, in line with your previous question, we will strive to further increase our presence also outside Belgrade, Novi Sad and Niš. Thirdly, we will work to make already existing excellent cooperation that’s largely unknown – especially in science – visible to the general public.

Finally, as more of a long-term endeavour, I believe that, together with other European cultural institutes, we must instigate a broad and open dialogue with the Serbian people on our European heritage and destiny. The most effective way to accompany Serbia on its road to the EU is through the cultural exchange at a high level – no amount of financial support can replace that.

Related Articles

Branka Pudrlja Durbaba, Senior Market Director at Vip Mobile

Today’s Operators Must Also Innovate

Company Vip has been constantly growing for the past several years, partly thanks to the fact that it operates within the A1 Telekom Austria...

Austrian Embassy Hosts Archeology Lecture

The Austrian Embassy in Belgrade hosted the lecture "Archeology of the Modern Age". The lecture discussed the relations between the Balkans and Europe since the...

Entertainment or Rebellion - Where is the place of culture in Serbian society?

This Isn’t Time For You To Sleep

Seven respondents to our survey offer seven answers to the question of what we will do with culture and with ourselves. None of them...

Opening Ceremony of Renovated Goethe-Institut

After months of renovation, the Goethe-Institut in Belgrade has reopened to the public. Serbian Minister of Culture and Information, Ivan Tasovac, German Ambassador to...

Yugoslav Drama Theatre Day

The Yugoslav Drama Theatre celebrated its 68th birthday with a party attended by members, associates and friends of the theatre. Director of the Yugoslav Drama...

Afro Festival Held

The Belgrade Museum of African Art hosted this year’s Afro festival, the most important annual event which this institution organises in cooperation with the...

Sebastian Kurz, Austrian Chancellor

Unprecedented Challenges

Like the rest of the world, the COVID-19 pandemic and the necessary containment measures shape Austria’s economic development considerably. GDP losses were as high...

The British Library Releases 570 Pages Of Leonardo Da Vinci’s Manuscripts

A collaboration between the British Library and Microsoft, titled Turning the Pages 2.0, made 570 pages of Leonardo da Vinci's' Codex Arundel available for...

More...

Marko Čadež, President Of The Chamber Of Commerce & Industry Of Serbia

We Connect Science And The Economy

If we wish to raise the technological level of our economy, it is important to secure favourable conditions to raise credit for the procurement...

H.E. Jean-Louis Falconi, Ambassador Of France To Serbia

Very Dynamic Relations

Serbia is a country that matters a lot to France, at both the regional and international levels. It is an EU candidate country, which...

Dragoljub Damljanović, President Of The French-Serbian Chamber Of Commerce, CCIFS

New Fields Of Cooperation Appearing

The Western Balkans are becoming an ever more important region on the French agenda. Visits of top French officials, as well as agreements signed...

Dominique Hautbergue, Director Of The French Development Agency (AFD)

Building A More Resilient World

Our mandate supports Serbia's rapprochement with the EU through the financing of sustainable and innovative projects that have a strong environmental and social dimension. The...

News

Most EU Countries Are Trailing The United States In Digitalisation

By 2020, 37% of European firms had still not adopted any advanced digital technology, compared with 27% in the...

Novak Đoković Arrives In Tokyo To Keep Golden Slam Dream Alive

The tennis star, 34, continues historic quest at the Olympic Games Tokyo 2020 and takes part in a training...

New UK Scheme To Drive Trade With Developing Countries And Boost Jobs And Growth

Today, the UK Government has launched a consultation on new trading rules that will help countries out of poverty – and...

Cannes Film Festival: Titane Wins Top Palme d’Or prize

Titane - an outlandish film packed full of sex and violence - has won the top award at the...

Novak Djoković Confirms Tokyo Olympics Participation In Birthday Message To Young Fan

After grabbing hold of his sixth Wimbledon title, Novak Djoković was surprisingly uncertain if he'd make the trip to Tokyo...